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Monday, October 7, 2013

Four Days in New York


I've just returned from four days in New York. I went primarily to attend the opening of my solo show "Patterns in the City" at Stricoff Fine Art in Chelsea but I managed to squeeze in some art shows, sightseeing, and lots of walking. 


The show:
 
 

It turns out that I got to New York before the paintings did!

At 11.00 am on the day before the opening the paintings still hadn't arrived. Something had happened during the two weeks transit period and nobody could say what. They arrived later that day and Michel had to work hard to hang the show and arrange the lighting in a short period of time. There were sighs of relief all around!

The opening the next evening was busy and fun, and several of the paintings were sold before the end of the event.










The Whitney:

The Drawings of Edward Hopper.
I've never really been a big fan of Hopper's paintings but seeing these drawing studies
has given me a new respect for his development of composition and contrast.
The drawings are gestural, layered and wonderful.
 
 
An amazing in-the-round video installation telling the artist's story of Manhattan.
This took me by surprise and I ended up being absorbed for at least 30 minutes.  
 
 
Walking around:
 
Sheep Station - Francois-Xavier Lalanne
An installation at an old gas station on West 24th at 10th Avenue
 
Pier 92 - NYC
Walking along the waterside on the West side I discovered that not everything
has been fixed up and re-painted. This pier will definitely inspire some paintings!
 
Visual chaos:
The Brooklyn Bridge approach by the old Fulton fish market.
 

Dia Beacon:
 
The view of the old Nabisco box factory on the walk from the railway station. 
 
 
Michael Heizer's Negative Sculpture
 
 
Spider sculpture by Louise Bourgeois
(I wasn't allowed to take a photo so I had to draw it.)
I've recently watched a video of her in her studio and her powerfully knarled
hands feature strongly in her work. When looking at this spider I saw that the
junctions on the legs look a lot like her hands. She is one of my favorite artists.
 
 
Richard Serra
Inside one of the four enormous structures housed in one long gallery.
 
 
 
 
 

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